Paweł Janicki (1974) draws mainly on the achievements of music, contemporary and media art and posthumanist practice – but he constructs forms different from the existing ones. He engages a wide spectrum of techniques, approaches and protocols: creates works using synthetic senses, programming techniques – also in the modern, cognitive incarnation – and elements of space and material engineering. An important role in Janicki’s creativity is drawn from historical and current contexts – in particular the perceived history of art and something that could be called the history of thinking.